Hey Abyss,
I just got back from Guysborough and teaching at Mulgrave Road Theatre's Drama Camp. I always forget how peaceful it is there. Everything is so calm and serene, it is quite relaxing and I loved the moments when I would just watch the water move the docked boats around on the marina. Simplicity is slowly becoming soothing for me.
I am in Truro, now, for three weeks to teach at the Marigold Centre and also spend some much needed time with my friends and family. I have really missed them over the last few months. Teaching at the Marigold is one of my favourite parts of the summer because it brings me back to my home town and I have been teaching most of the kids for the last couple years. Being able to see them grow both physically and artistically is always a joy.
And...tangent.
I have been thinking a lot about artistry, and what mine could potentially be, especially as I am coming to the end of my educational career (for now). I suppose what I am trying to figure out is what my voice is. What do I want to say? How do I want to affect people, what projects specifically interest me, rather than leaping at every opportunity that comes forward? Perhaps I am not at the point where I can choose what things to be involved in, perhaps I need to be exposed to more projects and people before I can start to define my vision. And that, of course, brings up the idea of, "Do I really need to define myself, can't I just keep doing what I'm doing?"
I was given a book, called Steal Like An Artist by Austin Kleon, by my friend Sebastien Heins before I left Toronto a few weeks ago. Although it's a small book, it really got me thinking about what I want to do as an actor. Do I want to just keep auditioning for everything and never form a true artistic vision for myself? Or do I wait to have an artistry before I choose my next project? The book did not answer any of these questions specifically, but the book did bring up the point of nothing being original, everything is inspired by something. And if something is said to be truly original "then they are not citing the inspirations properly". I like this idea, it takes off the pressure of having to be "different" or "original". See, as artists we gather inspiration from other mediums and it is the combination of the mediums that make something "original" or "different".
This idea makes me feel a lot less intimidated.
I have to make the art that I don't see, by combining the things I love and putting them into the world. I feel like success comes from when a particular combination of artistries connect with the public, or the audience. When I think about all the extremely influential artists to myself, either famous or not, most have a pretty defined artistry.
Because I have been on a Beyoncé jag for the last two months, Imma just keep goin'. Beyoncé, in my opinion, is an artist. Her music, as I have said, isn't that deep. Lyrically its very simple and usually about loving someone, leaving someone, being a strong woman or impressing YO' MAN. But the brand that she has created for herself has been, frankly, making her iconic. People just respect her, they know how hard she works, they see her dedication and her vocal abilities. Most people aren't even die hard fans, they just know what she monopolizes and no one else can touch it.
Cause she da QUEEN.
But in all seriousness, most of the artists that have or are leaving an impact on the world have specialized in something specific that we (the people) haven't seen before. But this is because they are combining different combinations of mediums and showing them to us in a new and original way.
So, conclusively I think I need to do just this. And on that journey for the bait I think I will discover what my artistry is and what I want to say.
I just finished reading the first show we are doing this year, Lion in the Streets by Judith Thompson, and I so stoked to see how Ravi Jain makes it come alive!
It has also come about recently that All the Wrong Reasons will be playing at TIFF 2013! For those of you keeping track this is the second film I have been part of that is an official selection at TIFF; pretty exciting.
Night Abyss!
I just got back from Guysborough and teaching at Mulgrave Road Theatre's Drama Camp. I always forget how peaceful it is there. Everything is so calm and serene, it is quite relaxing and I loved the moments when I would just watch the water move the docked boats around on the marina. Simplicity is slowly becoming soothing for me.
I am in Truro, now, for three weeks to teach at the Marigold Centre and also spend some much needed time with my friends and family. I have really missed them over the last few months. Teaching at the Marigold is one of my favourite parts of the summer because it brings me back to my home town and I have been teaching most of the kids for the last couple years. Being able to see them grow both physically and artistically is always a joy.
And...tangent.
I have been thinking a lot about artistry, and what mine could potentially be, especially as I am coming to the end of my educational career (for now). I suppose what I am trying to figure out is what my voice is. What do I want to say? How do I want to affect people, what projects specifically interest me, rather than leaping at every opportunity that comes forward? Perhaps I am not at the point where I can choose what things to be involved in, perhaps I need to be exposed to more projects and people before I can start to define my vision. And that, of course, brings up the idea of, "Do I really need to define myself, can't I just keep doing what I'm doing?"
I was given a book, called Steal Like An Artist by Austin Kleon, by my friend Sebastien Heins before I left Toronto a few weeks ago. Although it's a small book, it really got me thinking about what I want to do as an actor. Do I want to just keep auditioning for everything and never form a true artistic vision for myself? Or do I wait to have an artistry before I choose my next project? The book did not answer any of these questions specifically, but the book did bring up the point of nothing being original, everything is inspired by something. And if something is said to be truly original "then they are not citing the inspirations properly". I like this idea, it takes off the pressure of having to be "different" or "original". See, as artists we gather inspiration from other mediums and it is the combination of the mediums that make something "original" or "different".
This idea makes me feel a lot less intimidated.
I have to make the art that I don't see, by combining the things I love and putting them into the world. I feel like success comes from when a particular combination of artistries connect with the public, or the audience. When I think about all the extremely influential artists to myself, either famous or not, most have a pretty defined artistry.
Because I have been on a Beyoncé jag for the last two months, Imma just keep goin'. Beyoncé, in my opinion, is an artist. Her music, as I have said, isn't that deep. Lyrically its very simple and usually about loving someone, leaving someone, being a strong woman or impressing YO' MAN. But the brand that she has created for herself has been, frankly, making her iconic. People just respect her, they know how hard she works, they see her dedication and her vocal abilities. Most people aren't even die hard fans, they just know what she monopolizes and no one else can touch it.
Cause she da QUEEN.
But in all seriousness, most of the artists that have or are leaving an impact on the world have specialized in something specific that we (the people) haven't seen before. But this is because they are combining different combinations of mediums and showing them to us in a new and original way.
So, conclusively I think I need to do just this. And on that journey for the bait I think I will discover what my artistry is and what I want to say.
I just finished reading the first show we are doing this year, Lion in the Streets by Judith Thompson, and I so stoked to see how Ravi Jain makes it come alive!
It has also come about recently that All the Wrong Reasons will be playing at TIFF 2013! For those of you keeping track this is the second film I have been part of that is an official selection at TIFF; pretty exciting.
Night Abyss!
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